Once I select this as the MIDI from on Ableton, all of a sudden I've got my multi-track Program Change controller working, right alongside my keyboard controller. So now I've got my keyboard controller and the ten buttons on my padKontrol all routed to this same output, that shows up as "Bome's Midi Translator 3" in Ableton. Then I took my keyboard controller, had Bome's swallow all of the note messages coming from that, and then have them routed to Bome's virtual output #3 as well. So here's what I did: capture only the CC messages for the buttons I wanted to make into Program Changes, convert them to the Program Changes, and send them to a virtual Bome's output (#3 in this case). I also use the padKontrol for a lot of other things, so I didn't necessarily want the whole controller on a specific MIDI channel. Now I could just put it on the same channel as my keyboard and call it a day, but since I've got so many things going on in my set, I like to keep the guesswork out and always use explicit MIDI input assignments. In this case it's perfect for taking those CC messages, swallowing them, and instead sending them to Ableton as Program Changes for Kontakt. I use it pretty heavily on my live set for a number of reasons, many of which involve MIDI-controller-ifying keystrokes I use quite a bit in my live performances. It allows you to take MIDI messages and convert them to other message(s), a keystroke, etc. The padKontrol does not send Program Change messages. In most situations this would actually work pretty well as a solution, except for those Program Change messages. Since I had to have this single MIDI track listening to both my keyboard controller and nanoKontrol, I could have likely just put them both on the same channel and listened there. ![]() You could get around this by using different MIDI channels for each device, and then specifically make each track only listen on that particular channel. This wouldn't work for my aim of using a controller to switch the instruments (in my case a Korg Nanokontrol), so I had to look in another direction.Īnd then, there's always problem number two: when using Ableton with a number of external MIDI controllers, you of course want to limit the inputs on MIDI tracks to only certain devices, lest you get random notes/messages playing on tracks you don't want. This wouldn't be much of an issue, except it seems you can only send Program Change messages in Live via clips. I decided to give Kontakt a whirl since I had it on hand anyways, and knew it already supported multi-racks, it was just a question of figuring out how to control the switch in between the tracks.Įnter problem number one: Kontakt uses Program Change MIDI messages to switch between multi-rack instruments. Instrument racks will allow you to do it with some trickery, but it was never particularly reliable for more than two sounds. The biggest problem was being able to switch between many synths on a single track, with an external controller. Ableton Live 10 and higher, Kontakt 5 (full version) and higher, Logic 10.4 and higher.Historically I always wanted to use more than just a couple of synth sounds in my live looping setup in Ableton Live, but there were never many graceful options.Its high pitch tone and fast decay are perfect for sitting up front in mixes that require those 2s and 4s to pop. The Pork Pie Little Squealer comes to the session with some real crack - wait, that doesn't sound right. It strikes with an initial punch and a dampening decay characteristic of wooden drums. The Mapex Birch has a solid, balanced and “woody” tone. ![]() Its dry, cracking tone, however, was highly coveted by professional session players and it quickly became a staple in the modern recording studio. The Ludwig Acrolite was originally manufactured in 1968 as a student drum. The Logic version loads as Track Stacks of the multi-mic recordings including all direct, room and special effect microphones. The Ableton Live and Kontakt versions include a custom control panel that gives you access to direct, overhead, room and "trashcan" microphones.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |